[et_pb_section fb_built=”1″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_code module_class=”custom-cat” _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n
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[\/et_pb_code][et_pb_text module_class=”article-title” _builder_version=”4.20.4″ _module_preset=”default” header_font=”||||||||” header_text_align=”center” header_text_color=”#111111″ header_font_size=”68px” custom_margin=”40px||||false|false” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
[\/et_pb_text][et_pb_text module_class=”intro-text” _builder_version=”4.20.4″ _module_preset=”default” text_orientation=”center” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
Stones roll back the years as The Hackney Diamonds tour kicks off in Houston, Texas.<\/p>\n
[\/et_pb_text][et_pb_text module_class=”credit-main” _builder_version=”4.20.4″ _module_preset=”default” text_font=”||||||||” text_font_size=”16px” text_orientation=”center” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
Words by Andrew Dansby<\/span><\/span><\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2024\/04\/GettyImages-2150626639.jpg” title_text=”GettyImages-2150626639″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n The Rolling Stones<\/strong><\/p>\n NRG Stadium, Houston, Texas, April 28, 2024<\/strong><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Before a riff has rung out, the opening night of the Rolling Stones\u2019 Hackney Diamonds tour raises questions. Both now in their 80s, only Mick Jagger and Keith Richards remain of the line-up that defined rock and roll in the 1960s. Yet here we are on their first tour to promote an album of original material in almost twenty years. Is this beginning of something? Or is it the end of something? Is it the beginning of the end of something?<\/p>\n Or is it just the first date of the next Rolling Stones tour? The 18-song, two-hour set feels most like that: A legacy band – THE legacy band – playing its hits very well and with a renewed fervour.<\/p>\n Those expecting an acknowledgement of loss or the passing of time – a comment, say, on the death of drummer Charlie Watts in 2021 – do not find it on the menu tonight. Their movements are by now familiar, only with more sensible footwear: Jagger remains a perpetual motion machine; Richards hangs back by the drum kit; Wood engages with Richards at times, and occasionally wanders along the sprawling stage like a chicken that escaped its coop. The Stones do what they do as they have done for a very long time. As Jagger points out to his Houston crowd, the Stones first visited Texas 60 years ago: \u201cOur first rodeo,\u201d he says.<\/p>\n [\/et_pb_text][et_pb_text module_class=”pull-quote” _builder_version=”4.20.4″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#111111″ header_2_font_size=”46px” header_2_line_height=”1.2em” custom_margin=”||0px||false|false” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n The band takes the stage with the familiar three-note ignition of Start Me Up. Two hours later they shut it down with Satisfaction. Between those bookends, they present a lean setlist designed to please. Fourteen of the 18 songs are core hits.<\/p>\n Aside from the merchandise being sold, the Stones barely come across as promoting a new album. Hackney Diamonds is represented by just three songs: spirited lead single Angry, Mess It Up and a beguiling and grand Sweet Sounds Of Heaven, a song the band thinks enough of to let it share encore space with Satisfaction.<\/p>\n The Stones do, however, dig out a single deep cut for the archivist fan: Out Of Time from 1966\u2019s Aftermath, which, as Jagger points out, the band have never played in the States before.<\/p>\n As for the other 14 songs, they have a certain snap to them on this evening that feels like a renewal. Watts specifically selected Steve Jordan to fill his seat behind the drums when it became clear he could no longer tour, and Jordan plays sensitively with Watts\u2019 original parts. He also proves even the best-known songs are malleable. Jordan\u2019s left hand has the spring of a bear trap, and he hits even harder than Watts on Paint It Black, helping to turn a \u201860s garage rock song into something more grandly theatrical.<\/p>\n A few rough spots in the show will no doubt get polished as the tour continues. The usually telepathic guitar interaction on Gimme Shelter is interrupted on this night. Jagger\u2019s path back to the mic during Sympathy for the Devil gets blocked at one point pushing the vocal back a few seconds. But the product the Stones are selling sounds undiminished as the band navigates its seventh decade. Jagger\u2019s voice retains its fluidity and range. Angry proves Richards still can sift through the ash tray to find dogend riffs worthy of lighting up.<\/p>\n The show feels like a Rolling Stones set disconnected from the emotional concerns about time we often affix to musicians nearing the finish line. Hackney Diamonds closes with Rolling Stone Blues, the Muddy Waters song that lent the band its name. A nod to their beginnings six decades ago, they don\u2019t play it this evening. Perhaps it would\u2019ve sounded like a farewell and these musicians don\u2019t come across as sentimentalists until then they touch on their present in Sweet Sounds of Heaven: \u201cLet the old still believe that they\u2019re young.\u201d<\/p>\n Who knows how the rest of the Stones\u2019 story will play out, but it\u2019s a mantra that tonight serves them, and us, very well indeed.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Setlist:\u00a0<\/strong><\/p>\n Start Me Up Encore: [\/et_pb_text][et_pb_divider color=”#111111″ module_class=”custom-divider” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_divider][et_pb_text module_class=”credit-names” _builder_version=”4.20.4″ _module_preset=”default” text_font_size=”14px” text_orientation=”center” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Images: <\/strong>Getty<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" The show feels like a Rolling Stones set disconnected from the emotional concerns about time we often affix to musicians nearing the finish line.<\/p>\n","protected":false},"author":7,"featured_media":1231,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-1230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mojo-presents"],"acf":[],"modified_by":"kschwarz","_links":{"self":[{"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/posts\/1230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/comments?post=1230"}],"version-history":[{"count":4,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/posts\/1230\/revisions"}],"predecessor-version":[{"id":1238,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/posts\/1230\/revisions\/1238"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/media\/1231"}],"wp:attachment":[{"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/media?parent=1230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/categories?post=1230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/tags?post=1230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Having endured death, dope, arrests, fights, falls from trees, cancer, and more death, the band\u2019s status as the ultimate rock and roll survivors doesn\u2019t play into the show beyond the skull stitched to Keith Richards\u2019 guitar strap. But for the sequins stitched onto Wood\u2019s jacket, this is not a band that revels in reflection. It\u2019s only rock & roll, and people like it.<\/p>\n“The show feels like a Rolling Stones set disconnected from the emotional concerns about time we often affix to musicians nearing the finish line.”<\/h2>\n
<\/strong>Get Off of My Cloud
Rocks Off
Out of Time
Angry
Beast of Burden
Mess It Up
Tumbling Dice
You Can\u2019t Always Get What You Want
Little T&A
Sympathy for the Devil
Gimme Shelter
Honky Tonk Women
Miss You
Paint It Black
Jumpin\u2019 Jack Flash<\/p>\n
<\/strong>Sweet Sounds of Heaven
(I Can\u2019t Get No) Satisfaction<\/p>\n