[et_pb_section fb_built=”1″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_code module_class=”custom-cat” _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n
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[\/et_pb_code][et_pb_text module_class=”article-title” _builder_version=”4.20.4″ _module_preset=”default” header_font=”||||||||” header_text_align=”center” header_text_color=”#111111″ header_font_size=”68px” custom_margin=”40px||||false|false” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
[\/et_pb_text][et_pb_text module_class=”intro-text” _builder_version=”4.20.4″ _module_preset=”default” text_orientation=”center” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
Sceptics! Neophytes! Zappa obsessives! Check out MOJO\u2019s bespoke Frank Zappa mixtape \u2013 ditching the dirty gags (er, mostly) for hot grooves, hotter guitars and exquisite orchestrations.<\/p>\n
[\/et_pb_text][et_pb_text module_class=”credit-main” _builder_version=”4.20.4″ _module_preset=”default” text_font=”||||||||” text_font_size=”16px” text_orientation=”center” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
Words by Mark Paytress<\/span><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/GettyImages-74002780.jpg” title_text=”Uncle Zappa Wants You” _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text module_class=”image-gallery-caption” _builder_version=”4.20.4″ _module_preset=”default” text_font=”|300|||||||” text_font_size=”16px” text_line_height=”1.2em” custom_margin=”-10px||||false|false” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Uncle Meat: Frank Zappa, Los Angeles, March 1979.<\/p>\n [\/et_pb_text][et_pb_divider color=”#111111″ module_class=”custom-divider” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_divider][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0.jpg” title_text=”500×500-000000-80-0-0″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 1. Run Home Slow Theme <\/b>(The Lost Episodes, Rykodisc, 1996)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n \u201cFour Frightened People! Ominous! Grotesque!\u201d The original poster for this Zappa-scored 1965 B-movie reads like a Mothers spoof. But it\u2019s as genuine as Frank\u2019s passion was for this early project, with its bold, pacy, Stravinsky-style main theme, accompanied by an assortment of convoluted horseback rhythms and, yes, ominous horns.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/release_201601_01_FreakOut-cover-1024×1024-1.jpg” title_text=”release_201601_01_FreakOut-cover-1024×1024″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 2. Hungry Freaks, Daddy <\/b>(Freak Out, Verve, 1966) [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n The mangled Satisfaction guitar riff and tuneless, complaining voices fired a first warning. These Mothers weren\u2019t meddling with angsty teenbeat or protest pop, but something more warped and, hoped Zappa, enlightening. A flatulent kazoo, an attack-minded guitar break and digs a-plenty at consumer culture kept freaks happy.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/BPR_1221.jpg” title_text=”BPR_1221″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 3. Why Dont\u2019cha Do Me Right <\/b>(Verve, 1967)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Stomping into action like a classic Fall single, this \u2018lost\u2019 45, written back in \u201962, is vintage garage rock with added axle-grind \u2013 and so deliciously humdrum that ATV revived it during punk. Zappa, already speaking rather than singing, relishes the occasional slip into spotty character (\u201cWhy don\u2019t you do me rye-eet!).<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/release_201601_01_FreakOut-cover-1024×1024-1.jpg” title_text=”release_201601_01_FreakOut-cover-1024×1024″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 4. Trouble Every Day <\/b>(Freak Out, Verve, 1966)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n It wasn\u2019t all satirical mocks. This six-minute response to the 1965 Watts Riots found Zappa the social commentator at his most eviscerating. Had Verve been brave enough, this should\u2019ve been The Mothers\u2019 Like A Rolling Stone: racism, police brutality, \u201cphony\u201d TV reports, all hung on a stinging R&B riff.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0-1.jpg” title_text=”500×500-000000-80-0-0-1″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 5. Absolutely Free <\/strong>(We\u2019re Only In It For The Money, Verve, 1968)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n A fervent First Amendment man, Zappa was serious about his freedoms \u2013 and hugely sceptical about hippy quick fixes involving mysticism and drugs. All of that\u2019s here, in a masterful piece full in ever-mutating textures, rhythms and dynamics yet still sounding stunningly coherent. Memorable one-liners too (\u201cFlower Power sucks!\u201d).<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/release_201601_08_HOTRATS-cover-1024×1024-1.jpg” title_text=”release_201601_08_HOTRATS-cover-1024×1024″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 6. Peaches En Regalia <\/b>(Hot Rats, Reprise, 1969)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n The high point of Zappa\u2019s \u2018electric chamber music\u2019, Peaches was the great triumph of the Zappa\/Underwood partnership, sailing jazz, classical and cartoon elements over a nailed-down rhythm section (featuring a young Shuggie Otis), defying every genre. A concert favourite, and forever Zappa\u2019s calling card.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0-2.jpg” title_text=”500×500-000000-80-0-0-2″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 7.<\/b> Montana <\/strong>(Over-Nite Sensation, DiscReet, 1973)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Now sounding like a rock\u2019n\u2019roll Vincent Price \u2013 his voice dropped as a result of the Rainbow incident \u2013 Zappa launched his new storyteller style in a circuitous song about dental floss that boasted riveting chops \u2013 and Tina Turner and her Ikettes. \u201cWhat is this shit?\u201d complained husband Ike.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0-3.jpg” title_text=”500×500-000000-80-0-0-3″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 8. Cosmic Debris <\/b>(Apostrophe, DiscReet, 1974)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n By now, the satire had become softer, the target here being new age gurus peddling \u201cmumbo jumbo\u201d. Musically, the vocal was more intimate, the groove, funkier, deeper. Room too for a stinging, wah-assisted Zappa solo, plus sound effects worthy of early hero bandleader Spike Jones.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0-4.jpg” title_text=”500×500-000000-80-0-0-4″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 9. Son Of Orange County <\/b>(Roxy & Elsewhere, DiscReet, 1974)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n This live reworking of an old Mothers instrumental now came with an added Napoleon Murphy Brock vocal baiting Watergate-scarred scion of Orange County, Dick Nixon. The real star, though, was Zappa\u2019s masterful guitar showcase \u2013 long, with jazz notes, rabid Mahavishnu flurries, low notes, even George Benson notes.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0-5.jpg” title_text=”500×500-000000-80-0-0-5″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 10. Inca Roads <\/b>(One Size Fits All, DiscReet, 1975) [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Here\u2019s where Zappa\u2019s noodle factory hi-jinks reach epic proportions. While the lyric takes a pop at the post-hippy vogue for \u2018aliens on earth\u2019 stories, the music skips across the sound spectrum, from jazz-funk and fussy synth prog to the Saturn-bound voices of Sun Ra\u2019s Arkestra. Sheer paradise for musos.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0-6.jpg” title_text=”500×500-000000-80-0-0-6″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 11. Black Napkins <\/b>(Zoot Allures, Warners, 1976)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Alias Frank\u2019s answer to Santana\u2019s Samba Pa Ti. Against a slow, minimal backing, Zappa simply shut up and played his guitar, a landmark solo that finds him at his most pure and unmediated. Not bad for a piece inspired by \u201ca black napkin sitting on a table in a Milwaukee hotel, Thanksgiving, 1975.\u201d<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0-7.jpg” title_text=”500×500-000000-80-0-0-7″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 12. Joe\u2019s Garage <\/b>(Joe\u2019s Garage, Zappa, 1979)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Zappa hated poetry but loved storytelling. And this lump-in-the-throat paean to playing in a band, remains one of his best. Likely triggered by the new wave\u2019s back-to-basics philosophy, this title track, sung by Ike Willis, is both warmly nostalgic and \u2013 it\u2019s Zappa after all \u2013 a cautionary tale.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0-8.jpg” title_text=”500×500-000000-80-0-0-8″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 13. Valley Girl <\/b>(Ship Arriving Too Late To Save A Drowning Witch, Barking Pumpkin, 1982)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n A new lingo popular among California\u2019s young smart set reached Zappa\u2019s anthropological ears via 14- year-old daughter Moon, who he had improvise brattish vocals over a gutsy jam he had lying around. Hey presto! One naggingly quirky hit single – and a job at MTV for Frank\u2019s eldest.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0-9.jpg” title_text=”500×500-000000-80-0-0-9″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 14.<\/b> I Don\u2019t Even Care<\/strong> (Frank Zappa Meets The Mothers Of Prevention, Barking Pumpkin, 1985)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Taking on Washington, playing a drug dealer on Miami Vice \u2013 anything was possible for \u201980s Zappa. But this takes some beating. Frank provided the mind-crunching, electro-funk backing; his late \u201950s hero Johnny \u2018Guitar\u2019 Watson summoned up one mighty vocal. A doddle for the Maestro but deliciously effective.\u00a0<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/flatplan-plus-content.s3.eu-west-1.amazonaws.com\/wp-content\/uploads\/sites\/7\/2025\/03\/500×500-000000-80-0-0-10.jpg” title_text=”500×500-000000-80-0-0-10″ _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n 1. Dog Breath Variations <\/b>(The Yellow Shark, Rykodisc, 1993)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n A reworking of a song from 1968\u2019s Uncle Meat, this confirms that Zappa\u2019s orchestral work was defiantly 20th century, percussive, dissonant, bold and brassy. More than that, it was of a piece with the rest of his work, all part of what Zappa called The Big Note.<\/p>\n [\/et_pb_text][et_pb_divider color=”#111111″ module_class=”custom-divider” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_divider][et_pb_text module_class=”credit-main” _builder_version=”4.20.4″ _module_preset=”default” text_font=”||||||||” text_font_size=”16px” text_orientation=”center” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Picture by Getty<\/span><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Frank Zappa\u2019s wildest songsSceptics! Neophytes! Zappa obsessives! Check out MOJO\u2019s bespoke Frank Zappa mixtape \u2013 ditching the dirty gags (er, mostly) for hot grooves, hotter guitars and exquisite orchestrations.Words by Mark PaytressUncle Meat: Frank Zappa, Los Angeles, March 1979.1. Run Home Slow Theme (The Lost Episodes, Rykodisc, 1996)\u201cFour Frightened People! Ominous! Grotesque!\u201d The original poster […]<\/p>\n","protected":false},"author":13,"featured_media":2231,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-2218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mojo-presents"],"acf":[],"modified_by":"akindell","_links":{"self":[{"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/posts\/2218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/comments?post=2218"}],"version-history":[{"count":4,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/posts\/2218\/revisions"}],"predecessor-version":[{"id":2238,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/posts\/2218\/revisions\/2238"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/media\/2231"}],"wp:attachment":[{"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/media?parent=2218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/categories?post=2218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/flatplanplus.io\/mojo\/wp-json\/wp\/v2\/tags?post=2218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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